Curating Modern Art from North Africa and West Asia: Methodological Conundrums and Contentions of Language
Suheyla Takesh is Curator at the Barjeel Art Foundation, Sharjah, United Arab Emirates, where she works on research, curatorial development of exhibitions, and oversees the production of publications. She is the co-curator of Taking Shape: Abstraction from the Arab World, 1950s–1980s at the Grey Art Gallery, New York University, and co-editor of the eponymous volume of essays (Hirmer Publishers, 2020). Her work has been published in peer-reviewed journals, including the Rutgers Art Review (Department of Art History, Rutgers University) and Thresholds (Department of Architecture, MIT).
This episode is part of the Modern Art in the Maghrib series, and was recorded on May 6, 2021, via zoom. This is part of a larger Council ofAmerican Overseas Research Centers program organized by the Centre d'Études Maghrébines à Tunis (CEMAT) and financed by the Andrew Mellon Foundation that seeks to collaborate with local institutions for a greater awareness of art historical research in north Africa.
Lenssen, Anneka. Sarah A., Rogers & Nada M., Shabout. 2018. Modern Art in the Arab World: Primary Documents. The Museum of Modern Art. Durham. N.C. Duke University Press.
Barjeel Art Foundation. Omar, Kholeif. & Candy, Stobbs. (eds). 2015. Imperfect chronology: Arab Art from the Modern to the Contemporary : Works from the Barjeel Art Foundation. Whitechapel Gallery. Prestel. Collection of essays by O. Kholeif, S. Al Qassemi, R. Salti, N. Shabbout, G. Tawadros, T. McDonald-Toone.
Gumpert, Lynn. Suheyla, Takesh .(eds). 2020. Taking Shape: Abstraction from the Arab World, 1950–1980. Grey Art Gallery. NYU. Hirmer Verlag. Collection of essays by I. Dadi, H. Feldman, S. Hassan, A. Lenssen, S. Mikdadi, S. Al Qassemi, N. Shabout, S. Takesh, K. Wilson-Goldie.